PICTURE PROMPTS: Cassandra Federman

 

Welcome to PICTURE PROMPTS! This is my way of 'paying it forward' for all the beautiful illustrations found in picture books all around the world. For the next year you will see me visit with guest illustrators, spotlighting their beautiful artwork and sharing their answers to a few questions I thought my readers might want to know about these illustrators. On the Friday when an illustrator hasn't stopped by for a visit and a hot cup of green tea, I will put up a random PICTURE PROMPT that has inspired me to write a little flash fiction to share with you!


If you are an illustrator, established or just starting out, and would like to participate in my PICTURE PROMPT series, just shoot me an email over to donasdays (at) gmail (dot) com and I will send you the information on how to join the fun!


Please welcome talented illustrator, Cassandra Federman and check out her answers to my interview questions...

1. Why did you decide to become an illustrator?

I was obsessed with Disney fairy tales and with any and all gruesome artwork as a child.  As I got older I discovered comic books, which contained artwork that was both beautiful and gruesome! It was perfect! So I wanted to be a comic book artist for a long time. I gave up that idea around age 13, thinking it was a pipe dream. I decided to become an actor instead. Hey, I didn’t say I was logical!

2.  Where do you get your inspiration?

I’m constantly analyzing my artwork for areas that are weakest. Then I try to draw something that will force me to strengthen that area. And I try to be creative about it.

3. Do you have a favorite illustration of yours? Why is it your favorite?

I seem to fall in love with whichever one I’ve just finished. This can be dangerous because I get so excited that I show it off to the world through Facebook, Twitter, Instagram, etc. Then a few months later, (hopefully) I’ve gotten better as an artist and I look back and think, “Ugh, why did I show anyone that terrible picture!” And I show off some new one that I’ll come to hate 6 months later. It’s a vicious cycle.

4. If you could invite five other illustrators (alive or deceased) to dinner, who would you invite and why?

Michael Turner (deceased) and J. Scott Campbell. Their comic book styles are stunning to me. Also Brian Froud, because he’s a man who marries the beautiful, the creepy, and the fantasy world together like no one else. I’ll leave the other couple seats open for a Disney/Pixar animator and an impressionist painter. First come first serve.

 5. What are you currently working on?

I’m working on writing and illustrating my own children’s books right now. I finished my first book called Creatures of Habit and I’ve just started looking for a Literary Agent.  I’ve also got several manuscripts I’ve been revising with the goal of drawing up a dummy for one of them soon. The problem is, I always like whichever manuscript I’ve revised last... I’m very much looking forward to getting an agent so they can help me with my decision-making issues.

6. Do you work in different mediums? If so, which style is the most challenging?

I usually sketch something out the old fashioned way and then paint it in Photoshop. Reproducing different styles is challenging and is always a learning process. Watercolor style in Photoshop is new to me and most difficult right now. 

7. What advice would you give to someone thinking about trying to become an illustrator?

Be critical enough that you know where you need to improve, but not so critical you depress yourself. Also, don’t be afraid to pursue other creative endeavors. It all feeds you. Lastly, follow other artists on Instagram. It’s inspiring!

8. Do you have another job in addition to being an illustrator?

Yes, I write and act. I’m also a Hand Model.

Author Bio:

Cassandra grew up on the East Coast. She spent her childhood daydreaming, reading comic books, and playing with action figures until—well, she still does all of those things, but she lives on the West Coast now.

Social Media Links:

Personal Website: www.cassandrafederman.com

Twitter: @CassFederman

Instagram: cassfederman

WRITERLY WIDSOM: Hazel Mitchell

It's time once again for WRITERLY WISDOM where every Wednesday we will sneak a peek into the world of writing and publication.  I met my next guest blogger this past year when I first came across her blog Turbo Monkey Tales and I've been a fan ever since!   You even get a chance to win a copy of her latest book just by leaving a comment.  Take it away Hazel...

Social Media - Made for Illustrators!

By Hazel Mitchell

I often hear writers say, "Illustrators have it easy on social media". Sorry writers. I guess it is much easier for us to engage with folks instantly - we have all these beautiful illo's we can share, to catch the eye of the viewer and make it easier for us to interact. It IS like the internet was made for us!

Humans love to look at pictures. This world we live in revolves on visual media. Before we read the written word, we are more likely to look at pictures and then have an instant impression of the written content. It's how we learn to communicate from an early age. To read the signs around us.

That's what we do when we read a picture book - flick back and forth between the story and the illustrations. As illustrators we are ALWAYS telling a story.

Luckily the internet is geared towards posting pictures.

FACEBOOK - probably the biggest arena for social networking. It's a reality that posting a picture with a short description will get you more 'shows' on the newsfeed of your personal/business page. And don't forget the wonderful TIMELINE BANNER. A great way to showcase your work FREE. Here's the thing ... don't just stick your book covers on Facebook, with a link to buy. (Only do that OCCASIONALLY!!) Share interesting stuff that your contacts can connect with. Sketches you did in your spare time, process, photos, research as well as full blown finished pieces.  Be a REAL person and people will look forward to your posts. Reply to poeple who are kind enough to make a comment. It's rude not to.

TWITTER - now lets you post photos and many more opps to display your art. As with Facebook, make your posts interesting, not hard sell. I try to reply to tweets ... if it's too much, slow down on posting.

LINKED IN - you can now link and post photos here, as well as join groups and share work.

PINTEREST - has to be one of the most visual spaces on the internet these days and growing. Share images with friends, keep boards of your work and subjects you are interested in.

YOUTUBE - Video is even more interesting - if it moves, we are more likely to spend time watching. Try your hand at making a video. Even with a webcam or slideshow you can achieve alot. Could be your process, a look at your studio, a book trailer, your portfolio! Be creative. Check into Webinair if you want to run interactive sessions or work shops.

INSTAGRAM - Online photo sharing/editing with great sharing abilities!

FLICKR - Cool place to store your images, share with other people and create galleries.

ETSY - sell prints and signed books here.

MAIL CHIMP (and other mail services) - keep in touch with a newsletter and illo's.

There are other places to post your images: Google+, Myspace, Illustration Friday, Illustration Mundo, Behance, and any number of portfolio sites.

As an illustrator you will certainly need a website. If you're starting out, this is going to mainly be a showcase for your illustrations. You'll direct people there from any promo information (physical and online). If you are published it will begin to morph into a place where people can see your books, find out about your visit schedule and news, maybe a place to sell prints.

These days a blog is sometimes used in place as a website - and is often FREE. A plus for sure! See Wordpress, Tumbler, Blogspot to name a few.

Blogging is still a great way to connect with people. If you are posting an image on line you might want to link back to your blog post and enlarge on the process you use, or give more detail about the image.

RULE ONE - Make sure that in some way or other anything you post on line links back to a blog, a website or information that ensures the viewer can discover more about your work.

RULE TWO - Make use of any tags and metatags available to you when posting images.

RULE THREE - Your job is to make great illustration and story. Social networking is part of your marketing strategy. That most of it is FREE is a bonus. WORK SMART!

RULE FOUR - If you don't enjoy it, don't do it. It's not a requirement.

  

So. How can you make the most of the opportunities available? And why? If you are a new illustrator then your reason for posting may be to get your work out there. The more places people can find you - the more likely you are to be found. What you are doing here is also playing the search engines. The more times your name appears online the more pages will fill up when people search for you. Simple, right? It's about building a presence online. If you're a seasoned professional, you want to be more visible and bring your books and work to a larger audience, to let people know about your appearances and visits. Decide what information you want to put across and who you're targeting. Are you looking to build connections with the children's book industry or with readers, or both?

There's a lot you can do. Maybe you will just choose to do one part of social networking well and that will be your focus. That's great! With so many ways to connect with the world, one of them is sure to float your boat.

It's not for everyone. My own experience is that as well as getting my work into the professional arena, I have learned so much from fellow illustrators and writers. I have found opportunities and workshops that would otherwise have passed me by, and at times talking to likeminded people has proved indispensible in an otherwise isolated profession. Remember - give something back.

RULE FIVE - Embrace the good in social media!

RULE SIX - None of this is compulsory!

My latest book '1, 2, 3 by the Sea' by Dianne Moritz, is published Mar 1 by Kane Miller. Leave a comment on this blog post and be in the draw to win a free copy!

Many thanks and see you online!

Hazel

  

Hazel Mitchell is an award-winning children's illustrator. Originally from England, she now lives in Maine, USA.  She still misses fish and chips and mushy peas, (but is learning to love lobster). She has two dogs, two horses, a cat and several snow shovels.

If you'd like to talk to say 'hi' please email me hazel-mitchell@hotmail.com

Publishing clients include Charlesbridge, Makinac Island Press, ABDO, Kane and Miller, Freespirit, Beacon Publishing, Reading A-Z and SCBWI.

http://hazelmitchell.com

http://hazelmitchell.blogspot.com

http://lookbackincandour.wordpress.com

http://turbomonkeytales.blogspot.com

http://pixelshavings.blogspot.com

http://hazelmitchell.tumblr.com/

https://www.facebook.com/HazelMitchellSketchbook

http://www.flickr.com/photos/hazelmitchell/

tweet me @thewackybrit

Where The Wild Things Went...

The world will be reminded for many weeks to come of the life and times of Maurice Sendak.  Stories will recount his accomplishments, and his incredible talent as an illustrator will be remembered as the industry standard for future artists.  But what about those of us left behind?  How will we pay tribute to this great man of the 21st century? Through tears of loss? Or smiles in celebration of a life lived well and loved by many?

Albert Einstein said that imagination is more important than knowledge.  I agree.  Knowledge allowed NASA to envision space travel, but it was imagination which lead to the moon landing.  Knowledge allowed scientists to create the first super computer, but it was imagination which allowed one man to build a technology empire.  Knowledge allows writers to sharpen their skills, but it is imagination which allows their stories to soar.

So who will pick up the torch laid down by Mr. Sendak and help carry the love of children's picture books to the next generation?  We all will.  As long as we stay true to the idea he had of discovering the best part of ourselves through the eyes of the children.  Only then will we have paid the proper farewell to the genius of one man who only wanted to draw, yet ended up changing the way we see the world.

And although Mr. Sendak has left behind a legacy of rich imagination to entice readers for many years to come, I still believe that wherever the wild things might have taken this wonderful illustrator, there are lots of children waiting to greet him...